Download PDF Center of Gravity: A Guide to the Practice of Rock Balancing, by Peter Juhl
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Center of Gravity: A Guide to the Practice of Rock Balancing, by Peter Juhl
Download PDF Center of Gravity: A Guide to the Practice of Rock Balancing, by Peter Juhl
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Rock balancing is a growing art form that uses ordinary rocks to create startling ephemeral sculptures. Artist Peter Juhl tells about how he discovered the magic that could be worked with just a few stones, and how like-minded balancers around the world have found one another, forming a generous and cohesive community. Using photos from well-known balance artists, he illustrates a sampling of popular styles and techniques. The rocks are kept in place by shape, weight and friction alone: No glue, metal rods, photo manipulation, or other artificial means are used. A comprehensive Why and How section first explains the physics behind the art, then gives a detailed tutorial that applies those principles with exercises in real-world balancing. Beginning with the most basic skill, and working up to the more challenging, the tutorial uses plenty of diagrams to illustrate the creation of various styles of balance art. For those who want to take their new interest further, a Beyond the Basics section shows how to create more interesting and compelling work, and how to use photography to capture it. A collection of miscellaneous tips and techniques help to make the creation of this fascinating art easier and more fun. Whether you are new to balancing and want to learn from the ground up, or have some experience and seek to broaden your artistic skills, this book gives you a comprehensive guide and reference to the art of rock balancing.
- Sales Rank: #312859 in Books
- Published on: 2013-02-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .29" w x 6.00" l, .38 pounds
- Binding: Paperback
- 120 pages
About the Author
Peter Juhl has been creating and photographing balanced rock art for twenty years. He has shown his photography in several Twin Cities galleries, and has taught balancing at the Minnesota Landscape Arboretum, Art in Bayfront Park, and Lake Harriet in Minneapolis.
Most helpful customer reviews
9 of 10 people found the following review helpful.
Great way to start or further develop your rock balancing
By Zach Pine
As a life-long rock balancer, and a teacher of balanced rock sculpture for over 7 years, I'm thrilled (and a bit awed) to see such a skillful and comprehensive guide. The "how-to" section for beginners includes a series of "lessons" with carefully considered instructions, elegant diagrams, and suggested materials for learning and exploring an array of basic techniques. The "Beyond the Basics" section delivers on the promise of its title, including a wide array of information extending even to techniques for photography and a discussion of the "illusion of impossibility" elicited by some balanced rock sculptures. The currently active worldwide network of rock balancers are using a wide variety of techniques - well represented in inspiring color photos throughout. I'll be recommending this book to my students, and have purchased a few copies to bring to my public events.
5 of 6 people found the following review helpful.
Juhl's Book is a Jewel
By ennyman
Rock balancing... is it an art? A form of meditation? Is it sport? Is it play? A form of worship? In his newly released eBook, Center of Gravity: A Guide to the Practice of Rock Balancing, Peter Juhl writes, "I have discussed these questions with other balancers, and most would answer `Yes' to all of them." Last summer when I interviewed Juhl on my blog at Ennyman's Territory, he had this to say about what he does. "A good magic trick presents what we know to be a deception and makes us want to believe it's real. A good balanced rock sculpture does the opposite: We know it's real, but want to believe it's a trick." That is the essence of Peter Juhl's art.
Peter Juhl's Guide to the Art of Rock Balancing begins with Juhl sharing how his rock balancing turned out to be part of a much grander fellowship of rock balancers. This small fraternity of rock balance artists has congregated in Europe and now stays in touch with one another via social media, sharing insights and photos with one another. Discovering this group and how they fit with the grander tradition was exciting for Juhl.
In actuality, the group sees a connection between what they are doing and land art like Robert Smithson's Spiral Jetty, except on a smaller scale. Though they differentiate themselves from the conventional stacking that many of us have seen on a trail or at the lake, they respect these first steps at exploration with rock forms.
The second section of his book gives names to the various styles, from early rock art to cairns to Inuksuks. This is followed with the critical chapter on the why and how of rock balancing. Juhl explains a few physics lessons and dusts off some calculus to help us understand basic principles that carry through the rest of the book. Locating the center of gravity of your rock is one of the essential skills you will want to learn.
From here the books shares every secret he has learned on how to counterbalance rocks and build zigzags, how to make symmetrical and assysmetric designs. And, importantly, how to select your rocks. Stages of this portion of the book address rhythm, proportion, dominance, unity, contact points, shadows, illusions and impossibility. Ultimately, the greatest joy is yours when your creation creates this reaction in your audience: "That's impossible!"
Juhl even gives instruction in how to photograph your rock art, a skill that all the rock balancers seem to have developed based on the photos shared here. I know that I'll be trying a few tricks from this volume at some point this summer. If you purchase this eBook I have no doubt that you will be doing the same.
4 of 5 people found the following review helpful.
Thoughtful, practical, personal, informative
By Erik
I really enjoyed this book, which describes how one can create art/meditate/commune with nature/seek peace using perhaps the simplest and most plentiful artistic medium available to humans: the lowly, or perhaps exalted, rocks and stones that you can find on a shoreline or in a ditch. I love how the artist/writer uses these simplest of materials to create, and photograph, temporary artwork that is truly captivating.
The book recounts how the author became interested in balancing rocks, explains the physics involved in rock balancing, tells how to get started and how to improve one's rock-balancing skills, describes a number of distinct aesthetic approaches people use, and provides tips for capturing one's work photographically. It includes quite a few really interesting pictures showing the work of the author and a number of other rock balancers. The pictures are great - check out the "Look inside" feature to see a few of them.
Though this is a thorough and well-organized how-to manual for aspiring rock balancers, this book is more. The author shares his personal voice and made me feel like I was in a thoughtful conversation as much as reading a primer on how to approach an art form.
I really did enjoy this as much as any book I've read in recent memory. If you have any curiosity or interest in the topic, this book will be worth your while.
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